L.A. Music Scene

There are many reasons I moved to southern California, but the L.A. Music Scene certainly figures prominently. After arriving to Hollywood Burbank Airport Saturday night July 22, 2017 with my two mighty felines, I have hit the ground running! I should note this was fresh off an iconic performance two nights earlier at the Apollo Theatre in Harlem, featuring none other than my beloved Guns N’ Roses. What a send off!

Thanks to a terrific new friend and industry mentor, the brilliant and very cool Jeff Gray, Music Supervisor and Copyright expert, I have found my musical home in the land of music and sunshine! I kicked off the musical trifecta Monday night July 24, 2017 at The Mint in West L.A. for Hot Tub Johnnie’s Hunnypot Live, a live Artist showcase and Music Industry talk show. Frequented by some terrific and veteran musical industry people, some of whom are now friends, the Hunnypot Live stage features talented performers across a wide variety of musical genre. I’d like to highlight two in particular. On my first visit, I had the great pleasure to meet Sarah Rogo, singer, songwriter, and multi-instrumentalist from New England, who has taken the west coast music scene by storm, earning a nomination for Best Singer Songwriter at the 2017 San Diego Music Awards. Her first CD, “Sarah Rogo Live at Lestat’s West” was just released by the terrific team at Funzalo Records and she returns to The Mint Wednesday night November 8, 2017.

On October 2, the incredibly talented and full on personality of Addison Scott electrified the Hunnypot Live stage with a funky style R&B groove that absolutely commanded my attention! Hailing from New York, with clear energy and determination, this guy has definitely reeled in a new fan!  Featured Artist Addison Scott.

On to the Ultimate Jam Night at the iconic Whisky A Go Go on the Sunset Strip in West Hollywood. When I say I have found my musical home, this is it! Every Tuesday night, some incredibly talented LA based musicians, that starts with the house band, who I’ll get to in a minute, then rotates in a vast line up of emerging and known Rock&Roll talent. Their largely unrehearsed, theme driven performances will blow you away! Talk about commitment and excellence in the Arts, I think we need a new Musical Award Category! The Ultimate Jam Night is broadcast live around the world on Zinna.tv.

As to this incredible house band, I have to start first with Paul Zablidowsky, aka Paulie Z., lead singer, guitarist and regular host of the Ultimate Jam. A passionate and charismatic artist, his leadership and musical talent is awe inspiring! I should tell you, that at my first night at the Ultimate Jam, the Whisky was at capacity for a tribute in honor of Paulie Z.’s 38 year old brother David Zablidowsky, who had been killed a few days earlier in a fiery motor vehicle accident while on tour in Florida. Despite the incredible pain and anguish he must have been feeling, he was front and center, passionate as ever as the evening’s Host, and performing some epic ballads, including Foreigner’s “Jukebox Hero”! I don’t think there was a dry eye in the house.   Stars showed up to show their support including Twisted Sister’s Dee Snyder and current solo artist Sebastian Bach of Skid Row fame.   As Paul and David both hail from Brooklyn, NY, a music scholarship fund has been set up in David’s Name through the Brooklyn College Foundation. David Z Fund

I should note that the Ultimate Jam Night consistently stands up to support important causes. Paulie Z. was there once again at the hosting mic, for a benefit to raise money for the victims of the Las Vegas mass shooting. Other themes have included “Hot” to show support for California firefighters, who have been inundated with the worst fire season in the history of the state. All songs performed that night had the word “hot” in the title and included such classics as Rod Stewart’s “Hot Legs” and Donna Summer’s “Hot Stuff”!

Artist Kacee Clanton brought down the house for her riveting performance of Janis Joplin on the Ultimate Jam Night’s “Woodstock” night. In her seventeenth year performing hits from this iconic legend gone too soon, she just wrapped a month long residence of “A Night With Janis Joplin” at Princeton’s McCarter Theatre Center and announced her retirement from the show. We look forward to her new musical adventures! Equally impressive was a seven piece instrumental collaboration that included a two piece brass section performing classics from Carlos Santana. Remember, these are largely unrehearsed performances. WOW!

Of course my final entry for the Ultimate Jam Night fall update, is Guns N’ Roses Night October 3, 2017, including a very special performance from original GN’R drummer Steven Adler! The Ultimate Jam Night and Whisky management pulled out all the stops to bring in the very best talent to perform some of Rock&Roll’s finest, yet very challenging musical masterpieces. They did not disappoint! Steven Adler came out to full on zeal from a packed and exuberant audience, to first pay tribute to Whisky and Rainbow Room founder Mario Maglieri, who passed recently. Joined by the very talented Patrick Stone on lead vocals, Jacob Bunton and Colin Reid on electric guitar, and L.A. Guns Johnny Martin on bass, they kicked of a formidable four song set with “Welcome To The Jungle”. Epic classic “November Rain” featured the magnificent voice of Jenna Syde of Paradise Kitty fame, Quiet Riot’s Alex Grossi on lead guitar, and regular Ultimate Jam Night bassist, the very cool and talented Sean McNabb from Lynch Mob, who just released their eighth studio album Brotherhood September 8, 2017.

Rounding out the musical genius of the Ultimate Jam Night house band regulars is UJN founder Quiet Riot bassist Chuck Wright, Mitch Perry from the legendary Edgar Winter band on the electric guitar, keyboardist and multi instrumentalist Walter Ino from Survivor, and Joe Travers from Duran Duran and Billy Idol on drums. This is a very special group of talented musicians. If you’re looking for me on a Tuesday night, this is where I’ll be!

Before I segue to my final new favorite musical hot spot, I must give a shout out to a very talented singer songwriter Jags, who I have not yet seen perform live, but had the great honor to meet.  His newest EP release, “I AM”, is awesome! Title cut “I AM” features Matt Sorum of Guns N’ Roses and Velvet Revolver fame on Drums. My favorite though is “Are You Listening”. You definitely want to check this guy out!

To round out my first quarter musical trifecta here in the land of music and sunshine, we now depart the Sunset Strip and travel up and over the majestic hills of Laurel Canyon to the Federal Bar in North Hollywood, for Gary Calamar’s Mimosa Music Series. Hailing from incredible music pedigree, as the daughter of legendary songwriters Carole King and Gerry Goffin, Louise Goffin brought down the house on September 17 with an impressive performance all around, ably supported by a full ensemble band! Check out her new hit Revenge  and you’ll begin to understand my excitement! This wildly talented singer, songwriter, recording artist, and multi instrumentalist is definitely a force to be reckoned with!

I’ll wrap with an absolutely incredible Mimosa Music performance, all the way from Australia, led by the amazing vocals and songwriting talent of veteran performer Paul Kelly, infused with the powerful and soulful R&B vocals of Vika and Linda Bull, accompanied by veteran talent Ashley Naylor on the Electric Guitar, Bill McDonald on Bass, Cameron Bruce on Keyboards, and Peter Luscombe on Drums. Oh my goodness I haven’t been this excited about a Rock&Roll band since I discovered Slash Featuring Myles Kennedy and the Conspirators! Their 2017 album “Paul Kelly – Life is Fine”, distributed by EMI Australia, debuted at number one on the ARIA Charts and is Kelly’s first number one album in Australia! Well done! Their six week U.S. tour culminated at The Roxy in West Hollywood with a mighty performance to a packed and very engaged crowd Sunday night October 22! They returned home to Australia the next day and are now performing to sold out stadiums in their native Australia. I can’t wait for them to return to the U.S.!

I’ll leave you with Paul Kelly’s epic new ballad Rising Moon, filmed at a live performance September 27, 2017 at The City Winery in Atlanta. Enjoy!

Feature Image Credits: Ultimate Jam Night at the Whisky A Go featuring Paulie Z. on Vocals, Sean McNabb on Bass, Mitch Perry on Guitar, Walter Ino on Keyboards, and Joe Travers on Drums.

Sarah Rogo performing at Hunnypot Live at The Mint 9/18/17

Sarah Rogo performing at Hunnypot Live at The Mint 9/18/17

Addison Scott performing at Hunnypot Live at The Mint 10/2/17

Addison Scott performing at Hunnypot Live at The Mint 10/2/17

Cynthia Drew and Jeff Gray Ultimate Jam Night at The Whisky A Go Go

Cynthia Drew and Jeff Gray Ultimate Jam Night at The Whisky A Go Go

Steven Adler Guns N' Roses Night 10/3/17 Ultimate Jam at The Whisky A Go Go

Steven Adler Guns N’ Roses Night 10/3/17 Ultimate Jam at The Whisky A Go Go

Steven Adler Guns N' Roses Night 10/3/17 Ultimate Jam at The Whisky A Go Go

Steven Adler Guns N’ Roses Night 10/3/17 Ultimate Jam at The Whisky A Go Go

Louise Goffin performing Gary Calamar Mimosa Music Series at The Federal Bar 9/17/17

Louise Goffin performing Gary Calamar Mimosa Music Series at The Federal Bar 9/17/17

Paul Kelly and Zika Bull performing at The Roxy 10/22/17

Paul Kelly and Vika Bull performing at The Roxy 10/22/17

Vika Bull performing at The Roxy with Paul Kelly 10/22/17

Vika Bull performing at The Roxy with Paul Kelly 10/22/17

Ashley Naylor performing at The Roxy with Paul Kelly 10/22/17

Ashley Naylor performing at The Roxy with Paul Kelly 10/22/17

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October 30, 2017 By Cynthia Drew In Rock&Roll /  1

Google and the Internet of Things 2017 Update

As a follow up to my first article on Google, the internet and technology juggernaut whose innovations in search and advertising have made their brand one of the most recognized in the world, this update will focus on the leverage such dominance brings. Google core products, including Search, YouTube, Android, Google Play, Maps, Chrome, and Gmail, each have over one billion active users monthly. 2016 Net Income totaled $19.5 billion, up 19% to 2015, driven on 22% growth in Google Properties revenue, formerly referred to as Google Websites revenue. Gross profit margin was 61%, down slightly (1%) to 2015. Net profit margin remained steady at 22%, and the effective tax rate was 19%.

Taking a closer look at Google Properties revenue, 2016 revenue totaled $63.8 billion, comprising 71% of total Google revenue. While Google doesn’t currently disclose the product breakout in their public filings, there’s enough public information available to estimate the pieces. Analysts Eric Sheridan at UBS and Justin Post at Merrill Lynch both estimated You Tube revenue to be about $12 billion in 2016. I estimated Google Search revenue at $50.5 billion and Android at $1.3 billion. Google dominates the global search engine market, maintaining a near 90% worldwide market share since 2010, although they have lost a little ground recently, currently holding a little under 87%. Android revenues, driven on mobile ad revenue, experienced strong growth in 2016, with my estimate reflecting a 60% increase to 2015.

While clearly Search revenue dominates the Google revenue story, investors are now paying closer attention to YouTube as analysts have become very bullish on this product segment and project revenues to reach $20 billion in 2018, and $27 billion by 2020.   Merrill Lynch now believes YouTube may reach a $90 billion valuation on a standalone basis. YouTube’s $90 million valuation.

The P&L success of the YouTube operating model finds its roots in the Digital Millennium Copyright Act (DMCA) of 1998, legislation enacted before user generated content sites like YouTube existed, and before the significant transformation in digital technology we enjoy today. Google’s YouTube takes full advantage of the DMCA “Safe Harbor” provision that provides full protection from infringement liability for content flowing through their lines. To qualify, Google must meet certain guidelines, including promptly blocking access to newly discovered infringing material, and terminating repeat infringers. However, the responsibility for surveillance and enforcement lies with the musical creator, not with Google. Most in the music industry view YouTube as a huge problem, a large global firm making billions of dollars, at the expense of the little songwriter who is struggling to survive.

Before we get into the latest key developments surrounding “Safe Harbor” protections for large powerful platforms, it’s important to note a recent operational change at Google’s YouTube, that also has a disparate impact on the songwriter with less than 10,000 YouTube views, and more importantly, that forces program loyalty provisions for all of their content providers. In 2013, Jack Conte, a struggling musician on YouTube, founded Patreon, a platform where musicians can post their content and find backers to support them. Content creators are projected to earn $150 million on the crowd funding platform in 2017.  Digital Music News reports that in order for musical creators to add external links to their videos, to sites like Patreon and Amazon, they are now required to join YouTube’s Partner Program, which carries an additional requirement, of a minimum of 10,000 views. It’s important to note that most content creators on YouTube depend on external links to earn money, that Google’s YouTube controls 60% of all streaming audio business in the world, and that it pays for only 11% of total streaming audio revenue artists receive. 1

Wait, there’s more. Are you familiar with Senate Resolution 1693 Stop Enabling Sex Traffickers Act of 2017? This bills amends the federal criminal code to include those who benefit from “participating in a venture” that supports child sex trafficking, to be subject to the same consequences as those who are directly engaged in this criminal activity. To achieve the intended goal, the bill seeks to amend the Communications Act of 1934, specifically Section 230 on Safe Harbors, to remove the protections communication and content delivery companies currently receive, should a sex trafficker use their company’s internet platform to advance their cause. Since introduction, the bill has received wide bipartisan support and additional sponsors, as well as support from companies like 21st Century Fox and Oracle. However, pro-internet groups like the Center For Democracy and Technology and the Electronic Frontier Foundation, powerful organizations well funded and with close ties to Google and similar minded Silicon Valley internet firms, are against this legislation. They are concerned that the removal of the Safe Harbor provision, as it relates to child sex trafficking, will set a precedent and open the door for further erosion of Safe Harbor provisions that could ultimately impact the organizations whose causes they are advancing. Background on the Stop Enabling Sex Traffickers Act.

Huge thank you to the Association for Independent Music Publishers (AIMP) for a very informative panel discussion on these important matters, featuring Jonathan Taplin, Director Emeritus of the Annenberg Innovation Lab at USC Annenberg School for Communication, member of the Academy of Motion Picture Arts and Sciences, who also sits on the California Broadband Task Force. I highly recommend Mr. Taplin’s book “Move Fast and Break Things” How Facebook, Google, and Amazon cornered culture and under-mined democracy.

I’ll leave you with this epic performance from my beloved rockers, incredibly on point some 25 years ago, and always forward thinking…

“.. You can’t trust freedom when it’s not in your hands, when everybody’s fighting for the promised land.. I don’t need your civil war.  It feeds the rich, but it buries the poor..”

Guns N’ Roses “Civil War” Live Paris 1992

Enjoy!

1 Jonathan Taplin, “Move Fast and Break Things”

Feature Image Credit: Cynthia Drew with Rock&Roll soul sister Tammy Michaud on the GN’R stage Labor Day Weekend 2017, at The Gorge Amphitheater in the stunning Wenatchee Valley, just over the mountains from Seattle, Washington.

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October 30, 2017 By Cynthia Drew In Music P&L, Rock&Roll, Technology /  

The Music Of Sound

‘.. Be sure that you have not reduced the filesize to the point where the audio has become mono – PRESERVE THE STEREO AUDIO..’ So read an important instruction I followed to the letter of the law, in the final assignment of my Music Supervision class at The Berklee College of Music. Professor Brad Hatfield, Emmy Award winning composer and creator of the Music Supervision program at Berklee demands excellence in the music of sound! I couldn’t agree more! Hence my recent purchase of Bose Soundtrue-ultra-in-ear-headphones-apple-devices. ‘..headphones designed so nothing will get between you and your music… At a retail cost of $129.95? Yes. Boes is in the music business. Apple is not. Where is this leading? The quest to find the best quality audio possible delivered at home and on a mobile device! MQA. Master Quality Authenticated. What is MQA? So glad you asked! Let me paint the canvas for you.

The very first 45 I bought was “That’s the Way I Like It” by KC and the Sunshine Band. Next came “Fly, Robin, Fly” by Silver Convention. These two hits traded the #1 and #2 spots on the Billboard Hot 100 in December 1975. My enduring love affair with all things music began with U.S. Top 40 Terrestrial Radio and Vinyl Singles. Every Friday I went to the Plaza Department store, eager to plunk down $1.04 for the latest chart topping single. I should note that since I moved to the land of music and sunshine this summer, I actually met a member of KC and the Sunshine Band, keyboardist Robert E. Lee! If you’re an “indy” recording artist, you must check out his unique operation at Creative Studios LA in the heart of North Hollywood’s famed Art District.

As my musical tastes continued to form in the 70’s and 80’s, I amassed a pretty extensive Vinyl collection from singles like The Bay City Roller’s “Saturday Night” and Queen’s “Bohemian Rhapsody” to well over 200 albums. My very first Vinyl LP was Meatloaf’s “Bat Out Of Hell”. Led Zeppelin, The Rolling Stones, Aerosmith, and yes of course Guns N’ Roses followed. I would like to personally thank my parents who supported my Rock&Roll love affair by letting me join the Columbia record club, where you could purpose a gaggle of 10 albums or so for 1 cent, and commit to purchase x amount more over 3 years.   Who remembers that?

The quest to fill my world with epic musical masterpiece of course grew from there! I’ll never forget the day I convinced my mom to buy me my very first stereo console system, complete with equalizer and real speakers, where you actually had to plug in the speaker wires! It was like a right of passage and I felt invincible! In my first year of college I bought my very first full rack system made up of actual components! My heart rocketed to the moon and let me tell you there were many rockin’ parties on the 8th floor of Tower A at Hofstra University!

By the time I graduated from college in 1987, vinyl sales in the US had dropped by more than half since I had graduated from high school, and the world was introduced to the first digital audio format, the compact disc. By 1999, the industry soared to record high revenues on commanding sales of the compact disc, with a file format that consists of two channels, signed 16-bit Linear PCM (pulse code modulation) sampled at 44.1 kHz, basically setting in motion transformative change of the audio file format from analog to digital.

And so begins the debate on the music of sound! The Compact Disc Digital Audio format was developed by Sony and Phillips in the 1980’s and is the Red Book audio standard for encoding music on CD’s. While you can certainly argue that the CD is more durable than a vinyl phonograph record, there is endless debate as to the quality of sound between the two. From a technical aspect, it boils down to two things, how much space is available, and the level of noise discernible to the human ear. From a pure musical aspect, ask critically acclaimed and legendary guitarist Slash, who decidedly prefers analog tape to existing digital formats.  Check out this very up close look of the entire in-studio recording process of his 3rd solo album “World On Fire” with Myles Kennedy and the Conspirators. Slash Real to Reel  Drummer Brent Fitz tell us “…The most important thing for Slash and the rest of us is to capture a vibe that is almost a forgotten art form, which is recording to two inch analog tape… The music is what speaks the most….” Slash goes on to say, “It’s one of the few band oriented up and running Rock&Roll studios in town.”, referring to NRG Recording Studios in North Hollywood where recording to two inch analog tape is still an option. Studio Barbarosa in Orlando, Florida is another.

To be fully transparent, while Brad Hatfield’s Music Supervision class has provided me a basic primer in music editing and audio file formats, I have no formal expertise in this area. What I do understand is that the maximum frequency at which humans can hear background noise is 20 kHz.  The experts at Sony and Phillips determined that the sampling frequency of the compact disc audio file must be greater than twice the maximum frequency. They arrived at 44.1 kHz.

Of course the recorded music industry was turned upside down and forever changed in 1999 when technology internet firm Napster arrived on the scene and introduced a peer to peer file sharing internet service that created a mechanism to exchange music in a new MP3 format that, among other things, accelerated the continued erosion of sound quality.  The MP3, designed by the Moving Picture Experts Group, and further developed for audio by several teams of engineers at The Centre for the Study of Television Broadcasting, Matsushita, Phillips, Sony, AT&T, Bell Labs, and others,  is a patented digital audio encoding format that uses a form of lossy data compression.  Basically this means that certain parts of the sound are compressed and the result is music that is not full quality audio. The compression is needed for the audio file to fit on a digital delivery medium, and the feeling was that most people will not notice the difference in sound quality. Additional formats have since been developed. iTunes downloads utilize the AAC format, generally regarded as higher quality than the MP3, yet still not considered full quality audio, also a compressed format. WAV and AIF formats have no compression, also referred to as lossless compression, and are considered full quality audio. ALAC and FLAC formats are also forms of lossless compression for storing digital audio, but they’re generally much smaller in file size than WAV and AIFF files, hence more practical for downloads and streaming.   They are considered “High Definition Audio” formats.

Fast forward to 2014 and newly patented digital audio technology MQA is about to revolutionize the music listening experience by delivering “better than full quality audio”! Bob Stuart, founder of Meridian Audio, launched MQA (Master Quality Authenticated), a revolutionary British born technology poised to change the way people enjoy music! From the same country that gave us the British Rock invasion in the 60’s and beyond, this breakthrough technology will reverse the trend, in which sound quality has been continually sacrificed for convenience. MQA allows listeners to experience every intricate detail the microphone heard, offering music fans the purest ever sound! In 2016, MQA recruited Warner Music Exec Mike Jbara to lead the newly spun off firm.

How does MQA work? MQA starts by capturing 100% of the musical performance. It then cleverly adapts to deliver the highest quality playback your product can support. After capturing the performance, MQA “folds” the audio file to make it small enough to stream. They call this “Music Origami” and it can be fully approved in the studio. Next comes the “unfold” process where the first level of “unfold” recovers all the direct music related information. Output is 88.2kHz or 96kHz. Products with a full MQA Decoder deliver three levels of “unfold” and the music listener is hearing exactly what the artist created in the studio. I’m told it’s incredible!

I can tell you with first hand experience, that MQA sound at the first level of “unfold” is amazing! Nugs.net, a firm dedicated to delivering the highest quality audio for live performances of many well known Artists, has partnered with MQA and currently offers Springsteen and Metallica concerts in full MQA format. I purchased a Hi-Res MQA Download of the 1/27/17 live performance of Bruce Springsteen & The E Street Band in Perth, Australia. Promise me you’ll do the same and listen to Bruce and his band perform the epic classic “Because The Night”, he co-wrote with the legendary Patti Smith. Even on a basic smartphone, at a default sample rate of 44.1kHz, it will blow you away! See how many instrumental stems you can hear! At the very least, ask me for a listen the next time you see me.  I can’t wait to see the expression on your face!  For the music production folks reading this, you can bring it a step further by loading the album into your DAW and adjust the sampling rate to 96kHz.  I used Amadeus Pro.

AudioBruce

MQA at its most primitive level will bring you to your knees. Please look at the Spectrum graph below.  The pink highlighted region represents additional musical sound and texture you will experience at a basic minimum MQA level of play. I can’t even imagine what it will be like at the full three levels of “unfold”! I won’t have to wait long. MQA has just partnered with LG to deliver the very first global MQA smartphone the LG V30!  

FrequencyBruce

And earlier in the year, MQA and Universal Music Group entered into a multi-year agreement to encode UMG’s extensive catalogue of master recordings in MQA’s industry leading technology! Imagine listening to some of the greatest Artists in the world, in the very best high definition audio format?   I’m hoping this will include all the labels under the Universal Music Group umbrella that include legends like The Beatles, The Rolling Stones, Lady Gaga, U2, Bob Marley and Guns N’ Roses, to name a few. Incredible! I’ll bet the GN’R guys would approve!  MQA and UMG collaboration.

Speaking of epic musical masterpiece, I’ll leave you with this live fan favorite from the opening night of the U.S. leg of the 2017 Not In This Lifetime Tour. Extraordinary musical genius absolutely committed to the very best in audio fidelity! How many instrumental stems can you hear? Perhaps the lovely thoughtful teams at MQA, Nugs.net, and Guns N’ Roses will provide us the opportunity to experience this in ultimate exquisite sound form, as it should be.  Check out the big screen on the left side of the stage, you might recognize someone you know at 9:19 and 9:46. Enjoy!

Knockin’ on Heaven’s Door Live St. Louis 7/27/17

Feature image credit:  Thank you to one of the awesome fans from the “GnFnR Fanspot #NotInThisLifeTime fan group for sending me this incredible photo, taken at extraordinary timing from the other side of the PIT; and to Margott Hinostroza for creating this wonderful worldwide network of GN’R fans!

 

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October 9, 2017 By Cynthia Drew In Rock&Roll, Technology /